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Word Lists. Choose your language. My word lists. Tell us about this example sentence:. The word in the example sentence does not match the entry word.

The sentence contains offensive content. Cancel Submit. Your feedback will be reviewed. Translation of a damsel in distress — English—Mandarin Chinese dictionary.

Want to learn more? Translations of a damsel in distress in Chinese Traditional. Need a translator? Translator tool. Browse a conflict of interest idiom.

Test your vocabulary with our fun image quizzes. Image credits. Word of the Day learn the ropes. Blog Soft spots and big guns Idioms and phrases in newspapers October 07, Read More.

New Words physical literacy. Academic Ben Singer has contested the idea that these "serial-queen melodramas" were male fantasies and has observed that they were marketed heavily at women.

Empowered damsels were a feature of the serials made in the s and s by studios such as Republic Pictures. The "cliffhanger" scenes at the end of episodes provide many examples of female heroines bound and helpless and facing fiendish death traps.

But those heroines, played by actresses such as Linda Stirling and Kay Aldridge , were often strong, assertive women who ultimately played an active part in vanquishing the villains.

Moore 's story " Shambleau " — generally acknowledged as epoch-making in the history of science fiction — begins in what seems a classical damsel in distress situation: the protagonist, space adventurer Northwest Smith , sees a "sweetly-made girl" pursued by a lynch mob intent on killing her and intervenes to save her, but finds her not a girl nor a human being at all, but a disguised alien creature, predatory and highly dangerous.

Soon, Smith himself needs rescuing and barely escapes with his life. These themes have received successive updates in modern-era characters, ranging from 'spy girls' of the s to current movie and television heroines.

George and the " princess and dragon " genre, particularly with Dr. No 's dragon tank. The damsel in distress theme is also very prominent in The Spy Who Loved Me , where the story is told in the first person by the young woman Vivienne Michel , who is threatened with imminent rape by thugs when Bond kills them and claims her as his reward.

The female spy Emma Peel in the s television series The Avengers was often seen in "damsel in distress" situations.

The character and her reactions, portrayed by actress Diana Rigg , differentiated these scenes from other movie and television scenarios where women were similarly imperiled as pure victims or pawns in the plot.

A scene with Emma Peel bound and threatened with a death ray in the episode From Venus with Love is a direct parallel to James Bond's confrontation with a laser in the film Goldfinger.

Reflecting these changes, Daphne Blake of the Scooby-Doo cartoon series who throughout the series is captured dozens of times, falls through trap doors, etc.

The film Sherlock Holmes includes a classical damsel in distress episode, where Irene Adler played by Rachel McAdams is helplessly bound to a conveyor belt in an industrial slaughterhouse, and is saved from being sawn in half by a chainsaw; yet in other episodes of the same film Adler is strong and assertive — for example, overcoming with contemptuous ease two thugs who sought to rob her and robbing them instead.

In the film's climax, it is Adler who saves the day, dismantling at the last moment a device set to poison the entire membership of Parliament.

In the final scene of the Walt Disney Pictures film Enchanted the traditional roles are reversed when male protagonist Robert Patrick Dempsey is captured by Queen Narissa Susan Sarandon in her dragon form.

In a King Kong -like fashion, she carries him to the top of a New York skyscraper, until Robert's beloved Giselle climbs it, sword in hand, to save him.

A similar role reversal is evident in Stieg Larsson 's The Girl with the Dragon Tattoo , in whose climatic scene the male protagonist is captured by a mass murderer, locked in an underground torture room, chained, stripped naked, and humiliated when his female partner enters to save him and destroy the villain.

Still another example is Foxglove Summer , part of Ben Aaronovitch 's Rivers of London series - where the protagonist Peter Grant is bound and taken captive by the Queen of the Faeries, and it is Grant's girlfriend who comes to rescue him, riding a Steel Horse.

Another role reversal is in Titanic , directed by James Cameron. After Jack is handcuffed to a pipe in a master-at-arms office to drown, Rose leaves her family to rescue him.

In Robert J. Harris ' WWII spy thriller The Thirty-One Kings , the chivalrous protagonist Richard Hannay takes time off from his vital intelligence mission to help a beautiful young woman, harassed on a Paris street by two drunken men.

She laughingly thanks him though saying she could have dealt with the men by herself. Hannay has no suspicion that she is herself the dangerous Nazi agent he had been sent to apprehend, and that she recognized him and knows his mission.

Unsuspectingly he drinks the glass of brandy she offers him - whereupon he loses consciousness and wakes up securely bound. Gloating and jeering, the girl mocks Hannay for his sense of chivalry proving to be his undoing.

In computer and video games, female characters are often cast in the role of the damsel in distress, with their rescue being the objective of the game.

Knight in her book Female Action Heroes as "perhaps one the most well-known 'damsel in distress' princesses in video game history ", [20] the Sultan's daughter in Prince of Persia , and Princess Peach through much of the Mario series are paradigmatic examples.

In the game the hero was Mario, and the objective of the game was to rescue a young princess named Peach. Peach was depicted as having a pink dress and blond hair.

The princess was kidnapped and trapped in a castle by the villain Bowser, who is depicted as a turtle. Princess Peach appears in 15 of the main Super Mario games and is kidnapped in 13 of them.

Zelda became playable in some later games of the Legend of Zelda series or had the pattern altered. She serves as the series' damsel in distress.

Gibson of GameSpy called Daphne "the epitome" as an example of the trope. From Wikipedia, the free encyclopedia. Theme in storytelling, stock character; a noble Lady in need of rescue, traditionally from dragons.

For other uses, see Damsel in Distress disambiguation. This article includes a list of general references , but it remains largely unverified because it lacks sufficient corresponding inline citations.

Please help to improve this article by introducing more precise citations. May Learn how and when to remove this template message.

This section does not cite any sources. Please help improve this section by adding citations to reliable sources.

Unsourced material may be challenged and removed. March Learn how and when to remove this template message. See also: Gender representation in video games and Women and video games.

Courtly love Feminist film theory Feminist literary criticism Feminist science fiction Final girl Knight-errant Literary trope Missing white woman syndrome Portrayal of women in comics Portrayal of women in video games Predicament escape Princess and dragon Scream queen Stock character Strong female character Women in Refrigerators.

Huizinga, The Waning of the Middle Ages London: Richard Baldwin. The History of Sir Charles Grandison.

London: S. English Melodrama. Herbert Jenkins. Los Angeles Times. Richard Abel ed. Continuum International Publishing Group - Athlone.

The Avengers Forever. Retrieved Wesleyan University Press. Rhizomes: Cultural Studies in Emerging Knowledge.

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Abree Fitted Peplum Hem Dress. The hero Perseus slew the beast, saving Andromeda. This theme of the princess and dragon is also pursued in the myth of St George.

Another early example of a damsel in distress is Sita in the ancient Indian epic Ramayana. In the epic, Sita is kidnapped by the villain Ravana and taken to Lanka.

Her husband Rama goes on a quest to rescue her, with the help of the monkey god Hanuman. European fairy tales frequently feature damsels in distress.

Evil witches trapped Rapunzel in a tower, cursed the princess to die in " Snow White ", and put Sleeping Beauty into a magical sleep.

In all of these, a valorous prince comes to the maiden's aid, saves her, and marries her though Rapunzel is not directly saved by the prince, but instead saves him from blindness after her exile.

The damsel in distress was an archetypal character of medieval romances, where typically she was rescued from imprisonment in a tower of a castle by a knight-errant.

Chaucer 's The Clerk's Tale of the repeated trials and bizarre torments of patient Griselda was drawn from Petrarch.

The theme also entered the official hagiography of the Catholic Church — most famously in the story of Saint George who saved a princess from being devoured by a dragon.

A late addition to the official account of this Saint's life, not attested in the several first centuries when he was venerated, it is nowadays the main act for which Saint George is remembered.

In the 17th century English ballad The Spanish Lady one of several English and Irish songs with that name , a Spanish lady captured by an English captain falls in love with her captor and begs him not to set her free but to take her with him to England, and in this appeal describes herself as "A lady in distress".

The damsel in distress makes her debut in the modern novel as the title character of Samuel Richardson 's Clarissa , where she is menaced by the wicked seducer Lovelace.

Reprising her medieval role, the damsel in distress is a staple character of Gothic literature , where she is typically incarcerated in a castle or monastery and menaced by a sadistic nobleman, or members of the religious orders.

The perils faced by this Gothic heroine were taken to an extreme by the Marquis de Sade in Justine , who exposed the erotic subtext which lay beneath the damsel-in-distress scenario.

One exploration of the theme of the persecuted maiden is the fate of Gretchen in Goethe's Faust. According to the philosopher Schopenhauer :.

The great Goethe has given us a distinct and visible description of this denial of the will, brought about by great misfortune and by the despair of all deliverance, in his immortal masterpiece Faust, in the story of the sufferings of Gretchen.

I know of no other description in poetry. It is a perfect specimen of the second path, which leads to the denial of the will not, like the first, through the mere knowledge of the suffering of the whole world which one acquires voluntarily, but through the excessive pain felt in one's own person.

It is true that many tragedies bring their violently willing heroes ultimately to this point of complete resignation, and then the will-to-live and its phenomenon usually end at the same time.

But no description known to me brings to us the essential point of that conversion so distinctly and so free from everything extraneous as the one mentioned in Faust The World as Will and Representation , Vol.

The misadventures of the damsel in distress of the Gothic continued in a somewhat caricatured form in Victorian melodrama.

According to Michael Booth in his classic study English Melodrama the Victorian stage melodrama featured a limited number of stock characters: the hero, the villain, the heroine, an old man, an old woman, a comic man and a comic woman engaged in a sensational plot featuring themes of love and murder.

Often the good but not very clever hero is duped by a scheming villain, who has eyes on the damsel in distress until fate intervenes to ensure the triumph of good over evil.

Such melodrama influenced the fledgling cinema industry and led to damsels in distress being the subject of many early silent films, especially those that were made as multi-episode serials.

The silent movie heroines frequently faced new perils provided by the industrial revolution and catering to the new medium's need for visual spectacle.

Here we find the heroine tied to a railway track, burning buildings, and explosions. Sawmills were another stereotypical danger of the industrial age, as recorded in a popular song from a later era:.

He trapped her in the old sawmill and said with an evil laugh, If you don't give me the deed to your ranch I'll saw you all in half! And then he grabbed her and then He tied her up and then.

During the First World War , the imagery of a Damsel in Distress was extensively used in Allied propaganda see illustrations.

Particularly, the Imperial German conquest and occupation of Belgium was commonly referred to as The Rape of Belgium - effectively transforming Entente soldiers into knights bent on saving that rape victim.

This was expressed explicitly in the lyrics of Keep the Home Fires Burning mentioning the "boys" as having gone to help a "Nation in Distress". A form of entertainment in which the damsel-in-distress emerged as a stereotype at this time was stage magic.

Restraining attractive female assistants and imperiling them with blades and spikes became a staple of 20th century magicians' acts. Noted illusion designer and historian Jim Steinmeyer identifies the beginning of this phenomenon as coinciding with the introduction of the " sawing a woman in half " illusion.

In magician P. Selbit became the first to present such an act to the public. Steinmeyer observes that: "Before Selbit's illusion, it was not a cliche that pretty ladies were teased and tortured by magicians.

Since the days of Robert-Houdin , both men and women were used as the subjects for magic illusions". However, changes in fashion and great social upheavals during the first decades of the 20th century made Selbit's choice of "victim" both practical and popular.

The trauma of war had helped to desensitise the public to violence and the emancipation of women had changed attitudes to them.

Audiences were tiring of older, more genteel forms of magic. It took something shocking, such as the horrific productions of the Grand Guignol theatre, to cause a sensation in this age.

Steinmeyer concludes that: "beyond practical concerns, the image of the woman in peril became a specific fashion in entertainment". The damsel-in-distress continued as a mainstay of the comics, film, and television industries throughout the 20th century.

Imperiled heroines in need of rescue were a frequent occurrence in black-and-white film serials made by studios such as Columbia Pictures , Mascot Pictures , Republic Pictures , and Universal Studios in the s, s and early s.

These serials sometimes drew inspiration for their characters and plots from adventure novels and comic books. Notable examples include the character Nyoka the Jungle Girl , whom Edgar Rice Burroughs created for comic books and who was later adapted into a serial heroine in the Republic productions Jungle Girl and its sequel Perils of Nyoka Additional classic damsels in that mold were Jane Porter , in both the novel and movie versions of Tarzan , and Ann Darrow, as played by Fay Wray in the movie King Kong , in one of the most iconic instances.

The notorious hoax documentary Ingagi also featured this idea, and Wray's role was repeated by Jessica Lange and Naomi Watts in remakes.

As journalist Andrew Erish has noted: "Gorillas plus sexy women in peril equals enormous profits".

Frequently cited examples of a damsel in distress in comics include Lois Lane , who was eternally getting into trouble and needing to be rescued by Superman , and Olive Oyl , who was in a near-constant state of kidnap , requiring her to be saved by Popeye.

Damsels in distress have been cited as an example of differential treatment of genders in literature, film, and works of art. Feminist criticism of art, film , and literature has often examined gender-oriented characterisation and plot, including the common "damsel in distress" trope, as perpetrating regressive and patronizing myths about women.

Films featuring an empowered damsel date to the early days of movie making. One of the films most often associated with the stereotype damsel in distress, The Perils of Pauline , also provides at least a partial counterexample, in that Pauline, played by Pearl White , is a strong character who decides against early marriage in favour of seeking adventure and becoming an author.

Despite common belief, the film does not feature scenes with Pauline tied to a railroad track and threatened by a buzzsaw, although such scenes were incorporated into later re-creations and were also featured in other films made in the period around Academic Ben Singer has contested the idea that these "serial-queen melodramas" were male fantasies and has observed that they were marketed heavily at women.

Empowered damsels were a feature of the serials made in the s and s by studios such as Republic Pictures. The "cliffhanger" scenes at the end of episodes provide many examples of female heroines bound and helpless and facing fiendish death traps.

But those heroines, played by actresses such as Linda Stirling and Kay Aldridge , were often strong, assertive women who ultimately played an active part in vanquishing the villains.

Moore 's story " Shambleau " — generally acknowledged as epoch-making in the history of science fiction — begins in what seems a classical damsel in distress situation: the protagonist, space adventurer Northwest Smith , sees a "sweetly-made girl" pursued by a lynch mob intent on killing her and intervenes to save her, but finds her not a girl nor a human being at all, but a disguised alien creature, predatory and highly dangerous.

Soon, Smith himself needs rescuing and barely escapes with his life. These themes have received successive updates in modern-era characters, ranging from 'spy girls' of the s to current movie and television heroines.

George and the " princess and dragon " genre, particularly with Dr. No 's dragon tank. The damsel in distress theme is also very prominent in The Spy Who Loved Me , where the story is told in the first person by the young woman Vivienne Michel , who is threatened with imminent rape by thugs when Bond kills them and claims her as his reward.

The female spy Emma Peel in the s television series The Avengers was often seen in "damsel in distress" situations. The character and her reactions, portrayed by actress Diana Rigg , differentiated these scenes from other movie and television scenarios where women were similarly imperiled as pure victims or pawns in the plot.

A scene with Emma Peel bound and threatened with a death ray in the episode From Venus with Love is a direct parallel to James Bond's confrontation with a laser in the film Goldfinger.

Reflecting these changes, Daphne Blake of the Scooby-Doo cartoon series who throughout the series is captured dozens of times, falls through trap doors, etc.

The film Sherlock Holmes includes a classical damsel in distress episode, where Irene Adler played by Rachel McAdams is helplessly bound to a conveyor belt in an industrial slaughterhouse, and is saved from being sawn in half by a chainsaw; yet in other episodes of the same film Adler is strong and assertive — for example, overcoming with contemptuous ease two thugs who sought to rob her and robbing them instead.

In the film's climax, it is Adler who saves the day, dismantling at the last moment a device set to poison the entire membership of Parliament.

In the final scene of the Walt Disney Pictures film Enchanted the traditional roles are reversed when male protagonist Robert Patrick Dempsey is captured by Queen Narissa Susan Sarandon in her dragon form.

In a King Kong -like fashion, she carries him to the top of a New York skyscraper, until Robert's beloved Giselle climbs it, sword in hand, to save him.

A similar role reversal is evident in Stieg Larsson 's The Girl with the Dragon Tattoo , in whose climatic scene the male protagonist is captured by a mass murderer, locked in an underground torture room, chained, stripped naked, and humiliated when his female partner enters to save him and destroy the villain.

Still another example is Foxglove Summer , part of Ben Aaronovitch 's Rivers of London series - where the protagonist Peter Grant is bound and taken captive by the Queen of the Faeries, and it is Grant's girlfriend who comes to rescue him, riding a Steel Horse.

Another role reversal is in Titanic , directed by James Cameron.

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